Category Archives: Psychotherapy

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Despite his fitting name, Andrew Scull is not in neuro. He is, however, a professor in the Department of Sociology at UCSD with psychiatry on the brain. Now aside from tickling my allusion fancy, Professor Scull has written several books, of which I can say I’ve at least thumbed through one: Madhouses, Mad Doctors and Madmen: Social History of Psychiatry in the Victorian Era. The thumbing was done for my History of Modern Medicine course which, in and of itself, was as inspiring as it was eye opening. That said, Professor Scull’s book is a favourite work of mine that comes to mind particularly as I near the end of my degree (along with Henri Ellenberger’s The Discovery of the Unconscious).

Needless to say I was happy to see Scull’s review of the newly translated edition of Michel Foucault’s History of Madness. More to the point, I was happy to see it was a scathing review. A quote:

Narrowness of this kind is not confined to footnotes. Foucault’s isolation from the world of facts and scholarship is evident throughout History of Madness. It is as though nearly a century of scholarly work had produced nothing of interest or value for Foucault’s project. What interested him, or shielded him, was selectively mined nineteenth-century sources of dubious provenance. Inevitably, this means that elaborate intellectual constructions are built on the shakiest of empirical foundations, and, not surprisingly, many turn out to be wrong.

Scull concludes his article, stating that

The back cover of History of Madness contains a series of hyperbolic hymns of praise to its virtues. Paul Rabinow calls the book “one of the major works of the twentieth century”; Ronnie Laing hails it as “intellectually rigorous”; and Nikolas Rose rejoices that “Now, at last, English-speaking readers can have access to the depth of scholarship that underpins Foucault’s analysis”. Indeed they can, and one hopes that they will read the text attentively and intelligently, and will learn some salutary lessons. One of those lessons might be amusing, if it had no effect on people’s lives: the ease with which history can be distorted, facts ignored, the claims of human reason disparaged and dismissed, by someone sufficiently cynical and shameless, and willing to trust in the ignorance and the credulity of his customers.

Oh yes, Foucault is finally fully translated into English. Me thinks it’s about time.

It’s been almost a year since the last Islendingadagurinn and I have yet to see the beach this summer.  What’s more, my love for Iceland has reached an all-time high this year.  Just look at these good times had by myself and DJ Tinyfruit at the Sigur Ros show:

Clearly Iceland is the source of all of life’s joys and I was therefore not surprised when a friend emailed me saying that Gimli, Manitoba, Canada will be hosting the Gimli Film Festival during the Icelandic Festival this August.  What, you ask, could possibly be better than watching films on a beach?  Why, watching a film on a beach about a psychotherapist who is starting to hear profane voices coming from a children’s cartoon show, of course!  The film is called “Lucid” and was screened at the Toronto Film Festival.

Not only that, “Screaming Masterpiece”, a film with interviews from members of Sigur Ros, will be shown on the beach as well.  This is going to be sweet.

Lucid
Director: Sean Garrity
Length: 89 minutes
Country of Production: Canada
Cast: Jonas Chernick, Callum Keith Rennie, Michelle Nolden, Lindy Booth Run

Synopsis:
         Joel Rothman, a thirty-two-year-old psychotherapist, is having trouble sleeping. His wife has left him after an adulterous incident at the cottage. He fills the hours of insomnia obsessively listening to her angry voicemail message and drawing sheep on the wall. He finds it tough to work and, worse, can no longer communicate with his distressed daughter. And then there’s the notable decline of his driving skills.

        Joel’s newest patients are suffering from various symptoms of post-traumatic stress disorder and, under his compromised care, are rapidly deteriorating. Hitting rock bottom – he begins to hear profanities erupting from a children’s cartoon show – Joel finds his life has completely unraveled and he is in serious danger of losing his job. Although he persists in trying to understand what is happening to him and his charges, he has become as unstable as they are and the line between doctor and patient starts to blur.

Screaming Masterpiece
Director: Ari Alexander Ergis Magnusson
Length: 87 minutes
Country of Production: Iceland
Cast: N/A
Synopsis:
    Screaming Masterpiece asks the question: why is the small Icelandic community is so music mad? Is it the isolation or ‘the long nights with nothing to do but drink’ as is implied? With interviews with native musicians from Björk, Sigur Rós and Múm, to stories of the teenage band Nilfisk who end up opening for the Foo Fighters when they visit the island. A captivating documentary about the contemporary music scene in this unique island culture.